Luma Touch Support Forums

https://m.youtube.com/watch?v=Ua5RQ9w12gk&t=302s

LumaFusion rocks! I layered two series of Whorl clips together - the top layer at 30% blend so both layers showed. Then I added a third layer of Frax video for some animated, iridescent sheen on the Whorl objects. I think because both Whorl layers were done on a black background, the added Frax layer acted like a green screen - coloring the Whorl objects and not the background (so much.)

I applied the Mirror and a Big Pinch effect to sort of anchor and orient all the video together.

I also used LumaFusion to play the Moodscaper track at half speed thereby shifting it down an octave and turning what was effectively a string ensemble into a viola or cello ensemble. This considerably warmed up the sound. I used the same idea to copy a Waldorf Nave track and play the copy at half speed thus keeping the same notes (in key and mode) but giving the two Nave tracks some counterpoint. And panning the two Nave tracks independently added some ambient motion to the soundtrack.

I hope you enjoy watching and listening!
Tom

Nice video Tom

I particularly liked your idea behind the half speed audio

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.. Good things come to those who wait

knobbydave - Thanks! Since Moodscaper is essentially a monophonic synth (a gross oversimplification) I imagine that one could have three tracks of it running in LumaFusion - one track as is, one track tuned up a third, and one track tuned up a fifth so as to produce a major triad. The tracks wouldn’t be in sync relative to each other (they would start in sync but would quickly go out of sync and then maybe back in sync etc., sort of LOL) but it might still be fun to try. Not exactly sure what % speed setting would be required to generate a third and a fifth but it probably wouldn’t be hard to come up with it via trial and error.

Tom

knobbydave - Well... that was worth a try! Unfortunately, LF’s speed controls jump from 1.25 to 1.5 to 2.0 - that is, they don’t allow me the granularity of tuning to a third and a fifth. And combining 1.25 and 1.5 gets a little muddy. However, 1.0 plus 2.0 plus 0.5 plus 0.25 produces some pleasant results. I think because the fundamental pitch is retained. Or something like that.

Oh well, it was worth a try Tom

EDIT: How about one track forwards and one reversed?

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.. Good things come to those who wait

knobbydave - Apparently reversing an audio track takes f...o...r...e...v...e...r!